The force that the death possesss in the destruction direction must be considered by all the men, a time that all the human beings will feel this unexpected, tragic, irremediable force, since we are all in the same line the wait of the same sudden blow, the final blow. The reality of the death is an attempt of remembering in them that it is urgent to live and to live in the best way that if can. To work in this narrative the subject death, despite of simple form, has as objective to look for to make with that the reader imagines the subtilities the details and the complexity generated for the action of this called personage death so menosprezada and achincalhada by the human sort. Either perhaps really possible to reevaluate the necessity of the astonishment, the scare and the perplexity for being so defenseless ahead of two so powerful forces as the life and the death. Thus, we will not forget in them moving all the times that somebody rising and all the times that somebody to die, we will not forget in them to matter with the death of that we love, and so little we will forget in them importing with the loss that we are unaware of and that they share the same with us of stigma. Then, perhaps, the life will be prettier, will be lived with more intensity, satisfaction, love and altruism.
Geraldo Goulart-2008. gerrarogoulart@ ig.com.br Bibliography. 1? Saramago, Jose, 1922 – the intermitncias of the death. So Paulo: Company of the letters, 2005 2? Bulletin of the Center of Portuguese Studies of the College of Letters of the UFMG. v.1, n.1 (jun.1979). Belo Horizonte College of Letters of UFMG, 1979. 3? Peiruque, Elisabete Oak, 2007 Article ' ' Saranago and the negations of morte' ' UFRGS: 4? To sound, Maria of Lourdes, Article ' ' love and death in the romance of Jose Saramago' ' UFRJ: